“An OutKast Reader” examines the group’s aesthetic of postmodern Southern identity mixed with funk and psychedelia. The collection of essays is divided into sections of regional influence, gender and visuality, recognizing OutKast’s influence on mainstream American culture.
With commentary from African American studies scholars Charlie Braxton, Susana M. Morris, Howard Ramsby II, Reynaldo Anderson and Ruth Nicole Brown, each section of this work outlines the significance of OutKast’s work in Blackness, gender, urbanism, Southern aesthetics and general Southern studies in the context of their groundbreaking music.