In “Nola Face,” Champagne includes hilarious, heartbreaking essays in this collection to trace the evolutions of her girlhood of competing languages, ethnicities, aesthetics, politics and class constraints against the backdrop of a boozy New Orleans upbringing. On these pages, Champagne and her family love poorly and hate well, whip and get whipped, pray and curse in two languages, steal from The Man and give to themselves, kiss where it hurts and poke where it hurts worse, and keep and spill each other’s secrets. They believe, doubt and reckon with the stories they tell about themselves, becoming most human, most alive, in their connections to one another.